GAS: Rausch | Music Discovery as a Force for Good
GAS' new album, Rausch is a master class in projecting measured nuance with the capacity to amaze if you peek beneath the surface.
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electronic
Album Review: Moby’s Everything Was Beautiful, And Nothing Hurt is better than its cover art, but not by much
Moby's new album Everything Was Beautiful, And Nothing Hurt is not an inherently bad album, but it’s also not inherently good. However, it is much better than the atrocious cover art.
No Place Like Home with At The Heart of the World
At The Heart of The World just released their new album, Rotting Forms on Glory Kid and to celebrate we ask the electronic darkwave duo their favorite things about current home-base, Portland.
The Nostalgic Songs of the Month: The Best Jams of 1998
1998. A year in which music was on the cusp of breaking into the new millennium, and bands and artists were revving their engines. Who would explode? Who would implode? Let's take at that super weird year...
Fever Ray: Plunge | Unsettling Pop for Unsettling Times
On Plunge, Fever Ray declares “You might not want to hear this, but you need to hear it, and you’ll really like it. Because I’m really fucking persuasive.”
Four Tet: New Energy | Making Peace with Your Expectations
B.G.M.'s Adam Newton explains why Four Tet's new album is a 14-song album of impeccable musicianship that doesn’t say anything or go anywhere in particular.
Liars: TFCF | A Sort of Mental Haunting
Liars latest album, TFCF is the sound of a house that is haunted not by ghosts but by unhealthy thoughts -- a sort of mental haunting.
Actress: AZD | Your Guide to Contemporary Electro
AZD all makes sense as a complete musical thought! Actress refuses to dumb down his aesthetic or ideas for the uninitiated.
The xx: I See You | New Ideas are Good
Is I See You an accessible record that plays with pop sensibilities in ways The xx never attempted in the past? Absolutely.
S U R V I V E : RR7349 | Beyond the Stranger Things Soundtrack
On RR7349, Survive's created a record of expertly crafted ‘80s-inflected synth-pop and prove there's more to the band than the Stranger Things soundtrack.