Camp Trash – Two Hundred Thousand Dollars | Growing Up Doesn’t Have to Mean Growing Old
I love it when a band grows up. I’m not necessarily talking about thematic maturation, though that probably...
Adam P. Newton
Adam P. Newton
Lynyn – Ixona | You Can Dance If You Want To
I love electronic music that encourages, embraces, and enhances a mood. Whether you’re on the dance floor or...
Kaitlyn Aurelia Smith – GUSH | Audacious Artistry in Action
The upside to writing about a musician across multiple albums is you get to enjoy the trajectory of...
Tei Shi – Make Believe I Make Believe | Vibes Out
Vibes are everything until vibes mean nothing. Streaming services are overrun by playlists based purely on musical vapor...
The Beths – Straight Line Was a Lie | No Real Journey Is Ever Simple
I like The Beths. I like The Beths a lot. When I wrote about their 2022 album, Expert...
Pretty Bitter – Pleaser | The Power of Heartfelt Music
One of the highest compliments I can give a piece of music is playing an air instrument. I’ve...
Smut – Tomorrow Comes Crashing | Accessible Artistic Authenticity
I wanted to be in a rock band so badly during my college years. It would have been...
Moontype – I Let the Wind Push Down On Me | Who Needs Nostalgia Anyway?
Here at Bearded Gentlemen Music, we frequently rage against the nostalgia machine like we’re Zack and Tom. No...
Jolie Laide – Creatures | A Study in Intentional Creativity
The trick to making excellent art that effortlessly crosses genres? Ample amounts of talent and heaps of self-awareness....
Liz Longley – New Life | Sincere Songwriting About Timeworn Topics
The term “Dad Rock” rose to prominence in 2007 with Pitchfork’s review of Wilco’s Sky Blue Sky album....