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LAPêCHE – Autotelic | The Right Kind of ’90s Revivalism
At this point in my music reviewing career, the ‘90s revival has been going on longer than the...
Rock & Roll
Kula Shaker – WORMSLAYER | The Return of Brit-Pop Mysticism
Named after a 9th-century Indian saint and poet-king, Kula Shaker has always operated on a different frequency than...
Matt Kwasniewski-Kelvin 1999 – 2026 | Black Midi and Beyond
Matt Kwasniewski-Kelvin, co-founding guitarist of Black Midi, has died at the age of 26. His family confirmed his...
APN’s Top 25 Albums of 2025 | Making Musical Lemonade Out of a Lemon Year
This year sucked. Hard. Just several layers of not good on multiple levels. But you aren’t here to...
Kreeps – Cheers From The Afterlife | Beyond Grief and Redemption
For years, Kreeps has thrived in that hazy limbo between kitsch and the crypt. It’s not unlike the...
The Showcase – November 2025
I listen to a lot of music. No, really. If I’m not catching up on what my dudes...
Pixel Grip at The Metro | Percepticide In The Flesh
There’s a special kind of satisfaction that comes with watching a hometown show unfold in real time. I...
WICCANS – PHASE IV | The Unpredictable Future of Hardcore
For most bands, eight years between records would signal a slow death. For WICCANS, it’s almost a flex....
The Belair Lip Bombs – Again | Rock Music Lives, Thanks to Australia
While there are plenty of reasons behind its diminished cultural impact, rock music isn’t dead. It’s never died....
Camp Trash – Two Hundred Thousand Dollars | Growing Up Doesn’t Have to Mean Growing Old
I love it when a band grows up. I’m not necessarily talking about thematic maturation, though that probably...