If Post Pop Depression is Iggy Pop's final record his rant that closes "Paraguay" is a satisfying bookend as one of the most interesting characters in rock.
Esperanza Spalding's Emily’s D+Evoliution isn’t just Spalding’s most adventurous record yet, it’s one of the most ambitious records I’ve heard this year.
Sadly, just like The Cult's flirtation with commercial relevance, their latest album Hidden City doesn't quite seal the deal. All this mood with no pay off.