WICCANS – PHASE IV | The Unpredictable Future of Hardcore
For most bands, eight years between records would signal a slow death. For WICCANS, it’s almost a flex....
Album Reviews
The Belair Lip Bombs – Again | Rock Music Lives, Thanks to Australia
While there are plenty of reasons behind its diminished cultural impact, rock music isn’t dead. It’s never died....
Camp Trash – Two Hundred Thousand Dollars | Growing Up Doesn’t Have to Mean Growing Old
I love it when a band grows up. I’m not necessarily talking about thematic maturation, though that probably...
Ska, Punk, and Other Junk – September 2025
Welcome to “Ska, Punk, and Other Junk!” With this monthly column, I’ll highlight all of the cool things...
Matt Wixson – MERICANNIA | Hope Through Antagonism
As the end of each month nears, I comb through all the potential releases to include into Ska,...
DOOM GONG – MEGAGONG | Being The Trip
If you’ve been waiting for a psych record that doesn’t just meander through haze but actually moves with...
Lynyn – Ixona | You Can Dance If You Want To
I love electronic music that encourages, embraces, and enhances a mood. Whether you’re on the dance floor or...
Fleshwater – 2000: In Search of the Endless Sky | Meaningful Risk
With a foreboding descent into doom that melts into swimmingly beautiful guitar notes, Fleshwater set the stage for...
Kaitlyn Aurelia Smith – GUSH | Audacious Artistry in Action
The upside to writing about a musician across multiple albums is you get to enjoy the trajectory of...
Tei Shi – Make Believe I Make Believe | Vibes Out
Vibes are everything until vibes mean nothing. Streaming services are overrun by playlists based purely on musical vapor...