On his new record, Painted Bird, John Zorn has assembled a talented group of musicians to create some of the most compelling noise I’ve heard all year
For years, Art Jackson Atrocity's 1974 record Gout inspired debate: was it a lost gem or a clever hoax? But the real story is wilder, explains M Milner.
Esperanza Spalding's Emily’s D+Evoliution isn’t just Spalding’s most adventurous record yet, it’s one of the most ambitious records I’ve heard this year.
Just this year alone, four records have shown the different ways jazz can be relevant, or at least continue to find an audience in 2015, explains M. Milner.
Phil saw Thundercat Sunday night at the Hoxton and had a profound, drunk revelation about the decline of ADHD culture and the revolution of Jazz in 2015.
Flying Lotus' You're Dead! uses a vast knowledge of the past to envision the future, similar to imagining death from the perspective of life experience.
Opeth show's that their 11th studio album Pale Communion is worth the wait. It's progressive and heavy; yet, unique compared to the band's other records.