LAPêCHE – Autotelic | The Right Kind of ’90s Revivalism
At this point in my music reviewing career, the ‘90s revival has been going on longer than the...
90s rock
90s rock
Thirty Years of Alanis Morissette – A Conversation With Selena Fragassi
Few albums have sparked as much cathartic release as Jagged Little Pill by Alanis Morissette. Dropping into the...
Smut – Tomorrow Comes Crashing | Accessible Artistic Authenticity
I wanted to be in a rock band so badly during my college years. It would have been...
311 – In Full Bloom | 14 Albums Later
311’s 1995 self-titled album (commonly known as the “Blue” album) came at a musical crossroads for me. I...
APN’s Indie Inspection – March 2024
Welcome to “The Indie Inspection!” In this monthly feature, I dive into new releases from a handful of...
Tallies – Patina | Reinventing Classy and Cool College Rock
The ‘90s get all manner of hate ‘round these parts. It’s easy to understand why, especially if you...
5 Points: Hum – Inlet | Wise and Heavy Space-Doom
Hum just up and drops a new album out of nowhere?! Their new album, Inlet is so crushingly beautiful and heavy. Here are 5 reasons why I love it.
Favorite, Overrated, Underrated with Spielbergs
Spielbergs make really great indie-fuzz-rock and their 2019 album This Is Not The End is great. Here they name their favorite, overrated, underrated albums.
Far: 20 years of Water & Solution | Interview with Jonah Matranga
Water & Solutions by Far has reached the grand old age of 20! The world of 1998 when...
Elizabeth Colour Wheel: Queen Tired | Descent Into Madness
Elizabeth Colour Wheel is the best parts of 90’s shoegaze, noise rock, sludge rock, Chicago/Louisville post rock, and glimmers of doom metal.