Esperanza Spalding's Emily’s D+Evoliution isn’t just Spalding’s most adventurous record yet, it’s one of the most ambitious records I’ve heard this year.
Sadly, just like The Cult's flirtation with commercial relevance, their latest album Hidden City doesn't quite seal the deal. All this mood with no pay off.
Kal Marks have proclaimed themselves tired of rock and roll and are impeccable at creating the exact music they want on Life is Alright, Everybody Dies.
