Tiny Tree's Embolism is one of the best heavy-type music releases this year. Here I have them talk about their favorite, overrated, and underrated albums.
What does Procul Harum's quintessential album, A Salty Dog have to do with Bell's Two Hearted Imperial Pale Ale? Absolutely nothing, but everything as well.
Vocally Emperor of Sand is the strongest Mastodon have been. None of the band members are natural vocalists and it’s taken work, but that work has paid off.
Esperanza Spalding's Emily’s D+Evoliution isn’t just Spalding’s most adventurous record yet, it’s one of the most ambitious records I’ve heard this year.
Steven Wilson's latest album Hand. Cannot. Erase. is like black licorice: it’s not for everyone, but those who've acquired the taste will like it a lot.
Please Come Home, John Mitchell's debut solo album as Lonely Robot, is too reliant on 80's tropes and over-compressed guitar. Aaron Cooper investigates.
B.G.M. looks at Cherry Red's reissue of Kestrel's long-forgotten album, "an enjoyable slice of 70s prog with some good tunes and solid playing throughout.
Opeth show's that their 11th studio album Pale Communion is worth the wait. It's progressive and heavy; yet, unique compared to the band's other records.