The Aural Premonition invites you to spend a night with Marika Hackman and her latest album We Slept At Last so you can get to know her (music) better,
Please Come Home, John Mitchell's debut solo album as Lonely Robot, is too reliant on 80's tropes and over-compressed guitar. Aaron Cooper investigates.
It should come as no surprise that the attitude of Madonna's Rebel Heart picks up where MDNA leaves off: an elder stateswoman trying to regain her youth.
The first half of the powers that b, Niggas On The Moon, has more outright ideas, Death Grips overcook their better ideas on the second half, Jenny Death.
Houndmouth’s Little Neon Limelight features great playing and solid writing, but perhaps neither would hold up without the singular joy behind the songs.
