The newest stuff.
KISS’ Ace Frehley: Close Encounters of the Brilliant, Drunk Mind
I don’t know what KISS' Ace Frehley is doing these days, but I’d like to think he’s laughing his head off and guitar soloing like a motherfucker.
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Sevens & Splits: Monthly Guide To The Underground | August 2017
The Best Underground Music of 2017 Featuring Dope Tracks From All Kinds of Dope Bands That You May Have Never Heard Of. Get Some New Tunes For Yourself!
From “Hit The Lights” to “Spit Out the Bone”: Metallica’s 36 Years of Metal World Domination!
Metallica made it cool for the average person to embrace heavy music and not feel like an outsider. What Metallica has accomplished is astounding.
Liars: TFCF | A Sort of Mental Haunting
Liars latest album, TFCF is the sound of a house that is haunted not by ghosts but by unhealthy thoughts -- a sort of mental haunting.
Vince Staples: Big Fish Theory | I Don’t Know Him
Vince Staples "Big Fish Theory" is a monumentally important album, writes B.G.M.'s Tatiana Maria, and one speaking of (and to) a very specific viewpoint.
Bleachers: Gone Now | Geeks inherited the world
Bleachers' Gone Now will turn into a cult classic, a secret for people to discover on their own, which is the best-case scenario for this type of record.
Ozark And Its Clever Use Of Soundtrack
Netflix's Ozark deserves praise for fully encompassing the notion of a well used soundtrack to fully immerse the viewer in many of its key scenes.
The Classic Crime: How To Be Human | Committing Lyrical Crimes and Staying Awesome Ain’t Easy!
The Classic Crime's latest album, How To Be Human pushes the boundaries of conventional rock albums, and finds a way into your heart.
Japanese ‘City Pop [シティポップ]’: A Dreamy Trip back to Japans Capitalist Fantasy of the 1980s
Unfortunately like all good things must, City Pop, which very much married to Japan's momentarily thriving economy of the 1980s, came to an end.
Where Are The Negative Music Reviews? | How The Lack Of Negativity Is Killing Journalism
Aaron The Audiophile takes a look at the lack of negative music reviews and how it's having a negative effect on music and non-music journalism.