The reissue of Tori Amos' Little Earthquakes is all you could ask for in a deluxe reissue. M. Milner, explains why Little Earthquakes and Amos are so great.
Infinite Dissolution tries to incorporate new elements within the Locrian’s barriers and is thematically loyal to the sense of destruction, but fails.
On Coming Home, Leon Bridges certainly joins the class of modern artists who were inspired by sounds of the past, yet were able to mix their own flavor.
There really isn't much else to cover here. It's not that Bullet For My Valentine's Venom is terrible, it's just so paint-by-numbers, it's beyond boring.