Deafheaven's New Bermuda is a totally different concept and should not be held to the same standards as Sunbather. New Bermuda leaves me hungry for more.
Unbreakable is neither a career misstep, nor is it a redefining moment. Despite the misfires, it still shows that Janet Jackson still has something to say.
Just this year alone, four records have shown the different ways jazz can be relevant, or at least continue to find an audience in 2015, explains M. Milner.
Wild Throne’s energy is highly contagious and I am convinced that Harvest of Darkness will top a lot of personal Albums Of The Year lists year for 2015.
The Ride Majestic is what you'd expect from new Soilwork: Insanely catchy at points, nearly poppy, with enough to remind everyone that they're still metal.
Lana Del Rey's proverbial Honeymoon of established popularity is over and all the listener is left with is a bland tapestry of predictable pillow talk.
Immortal Bird lists burning bridges and holding grudges as influences for which makes sense. There is some serious venom in the music on Empress/Abscess.
If you believe that Twenty One Pilots are anything but puppets of a soulless music industry then Mediocre At Best may be the album of the year for you.