Miles Davis' Freedom Jazz Dance: The Bootleg Series Vol. 5 is an interesting and raw look into the recording of two classic jazz albums, writes M Milner.
Ginger Baker's No Material played without setlists or prepared material and was all improv, explains M Milner, and remains a compelling listen decades later
On his new record, Painted Bird, John Zorn has assembled a talented group of musicians to create some of the most compelling noise I’ve heard all year
For years, Art Jackson Atrocity's 1974 record Gout inspired debate: was it a lost gem or a clever hoax? But the real story is wilder, explains M Milner.
Esperanza Spalding's Emily’s D+Evoliution isn’t just Spalding’s most adventurous record yet, it’s one of the most ambitious records I’ve heard this year.
Just this year alone, four records have shown the different ways jazz can be relevant, or at least continue to find an audience in 2015, explains M. Milner.
Phil saw Thundercat Sunday night at the Hoxton and had a profound, drunk revelation about the decline of ADHD culture and the revolution of Jazz in 2015.