Infinite Dissolution tries to incorporate new elements within the Locrian’s barriers and is thematically loyal to the sense of destruction, but fails.
Weakwick's For Show is a nauseating whirlwind of precipitous guitar and drum work that at times sounds like a rusty carnival ride that shouldn't be riden.
On Coming Home, Leon Bridges certainly joins the class of modern artists who were inspired by sounds of the past, yet were able to mix their own flavor.
There really isn't much else to cover here. It's not that Bullet For My Valentine's Venom is terrible, it's just so paint-by-numbers, it's beyond boring.
FKA Twigs' M3LL155X is remarkable for the amount it manages to pack into its five tracks and also because it is a more direct tirade against societal norms.