Timeshares put out a classic record in Already Dead that I would not only recommend to lovelorn strangers, but to anyone who loves authentic rock n roll.
The candy coated songs on Miami Horror's All Possible Futures are just begging to be listened/danced/sung along to in the sunshine with a cocktail in hand.
METZ's sophomore record METZ II is more of a refinement than an outright departure, and sees them living up to the expectations their city has for them.
Ours is Chrome is a great follow up to Jar. Superheaven proves that nothing has changed for them but their name and that the world is theirs for the taking.
Bell Witch's latest album Four Phantoms is the most emotionally draining, monolithic, & daunting masterpiece of doom metal that Dustin has ever encountered.
The Prodigy remains one of electronic music’s leading acts on The Day Is My Enemy. Thankfully Howlett, Flint, and Maxim don't go all pipe-and-slippers cozy.
I applaud Blur for having the guts to do an anti-reunion album. The Magic Whip sounds like Blur in 2015 just as it should. No apologies, and no nostalgia.