Chicago-based retro rockers The Evening Attraction use slick production and dark humor on their new album, The End, Again to combat the ugliness of a world in chaos.
Moby's new album Everything Was Beautiful, And Nothing Hurt is not an inherently bad album, but it’s also not inherently good. However, it is much better than the atrocious cover art.
Black Rebel Motorcycle Club may still be as miserable as ever, but every band deserves a second chance. Their new album Wrong Creatures showcases enough maturity and confidence to redeem themselves.
To Deadheads, 1990 was a special year for Jerry Garcia, and volume 10 of the GarciaLive series shows why. It's a rollicking show in Hawaii with plenty of covers, guitar solos, and good vibes.
xxxy's new 12" "A Fleeting Moment" is deeply rooting in both house and disco. Giving you everything you need to keep your body moving....even if that's a sin.
Pinpointing music should always be managed through the ears, so much becomes evident while spinning both Somali Yacht Club’s The Sea and Weedpecker's III.
“It’s fine” sums up Heartworms - and the Shins entire catalogue. They probably couldn’t do a better job even if they tried. They’re just not capable... it’s an “X factor” thing.
With twenty albums under their belts, They Might Be Giants continue to give their all. But I Like Fun proves even the most seasoned band could use a good editor. Eddie Carter reviews.
Leslie Pintchik's sixth LP You Eat My Food, You Drink My Wine, You Steal My Girl, is a good, enjoyable collection of jazz, sprinkled with her unique sense of humour, writes M Milner.
At The Heart of The World just released their new album, Rotting Forms on Glory Kid and to celebrate we ask the electronic darkwave duo their favorite things about current home-base, Portland.