On Ministry's 14th album "AmeriKKKant", Al Jourgensen takes on gun-worship, racism, the alt-right, and Donald Drumpf while returning to the sound that defined Industrial Metal.
Cherry Red's new box set All Sides of the Roxy takes a focused look at Todd Rundgren, presenting nearly three hours of guest stars, power pop gems, piano ballads and Philly soul, all live at Los Angeles' Roxy Nightclub in 1978.
Medium Weekend's mosaic of sound can be chaotic and sometimes doesn't feel like it makes sense it will keep you coming back for more. The new record NOTCH is full of twists and turns. Also, they talk about their hometown Seattle and give some good tips if you ever visit!
Chicago-based retro rockers The Evening Attraction use slick production and dark humor on their new album, The End, Again to combat the ugliness of a world in chaos.
Moby's new album Everything Was Beautiful, And Nothing Hurt is not an inherently bad album, but it’s also not inherently good. However, it is much better than the atrocious cover art.
Black Rebel Motorcycle Club may still be as miserable as ever, but every band deserves a second chance. Their new album Wrong Creatures showcases enough maturity and confidence to redeem themselves.
To Deadheads, 1990 was a special year for Jerry Garcia, and volume 10 of the GarciaLive series shows why. It's a rollicking show in Hawaii with plenty of covers, guitar solos, and good vibes.
xxxy's new 12" "A Fleeting Moment" is deeply rooting in both house and disco. Giving you everything you need to keep your body moving....even if that's a sin.
Pinpointing music should always be managed through the ears, so much becomes evident while spinning both Somali Yacht Club’s The Sea and Weedpecker's III.
“It’s fine” sums up Heartworms - and the Shins entire catalogue. They probably couldn’t do a better job even if they tried. They’re just not capable... it’s an “X factor” thing.